Klimt Schiele

Gustav Klimt (1862-1918) was a prominent member of an innovative group of artists called Sezession and is considered to be one of the main pioneers of modern art. Apart from this, his ornamental Jugendstil style evokes an irresistible feeling which is inspired by the fin-de-siecle of 19th century Vienna: elitist, liberal-middle class, decadent, pleasantly-decorative. His work is extremely recognizable due to his monumental style combined with Byzantine-like ornamental art and classical symbolism, created against the background of romanticism which was so characteristic of his time.

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Gertie Schiele in Checkered Cloth by Egon Schiele
SCH01, In Stock

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Kneeling Girl in Orange-Red Dress Art Nouveau By Egon Schiele
SCH02, In Stock

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The Kiss Man and Woman Hugging Statue by Gustav Klimt
KL21, In Stock

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Expectation (1905-09) by Gustav Klimt
KL22, In Stock

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The Fulfillment (1905) by Gustav Klimt
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Emilie Floge Portrait (1902) by Gustav Klimt
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Hope II Woman Expecting Child by Gustav Klimt
KL32, In Stock

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Klimt Pattern from Stoclet Frieze Photo Frame
KL33, In Stock

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The Kiss Man and Woman Hugging Statue by Gustav Klimt, Grande
KLG21, In Stock

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The Kiss Vase by Klimt
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Three Ages of Women Vase by Kimt
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Mother and Child Statue from Three Ages Of Woman by Gustav Klimt
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Pocket Art Klimt The Kiss
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Pocket Art Mother and Child by Klimt
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Klimt The Kiss Ceramic Tealight Candleholder
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Klimt Fulfillment Glass Tealight Candleholder
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Klimt Expectation Glass Tealight
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The Virgin Die Jungfrau Pocket Mirror by Klimt
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Egon Schiele (1890-1918) The artist and painter who, during his short life, developed from a Jugendstil artist into an exponent of Viennese expressionism. Because nearly his entire family worked for the Austrian railways, Egon Schiele was expected to do the same. Instead, this self-willed young man signed up for the Viennese art academy. He admired Sezession and in particular Gustav Klimt whom he had met in 1907 and who took him under his wing. In Schiele's early work his liking for Eastern-Asian art can be recognized immediately, and it links up perfectly with the illustrative, ornamental Viennese Jugendstil. Later on he developed a powerful angular style which was entirely his own, and which made him into the exponent of early Viennese expressionism. Much of his work consists of portraits, including many self portraits.