Klimt Schiele

Gustav Klimt (1862-1918) was a prominent member of an innovative group of artists called Sezession and is considered to be one of the main pioneers of modern art. Apart from this, his ornamental Jugendstil style evokes an irresistible feeling which is inspired by the fin-de-siecle of 19th century Vienna: elitist, liberal-middle class, decadent, pleasantly-decorative. His work is extremely recognizable due to his monumental style combined with Byzantine-like ornamental art and classical symbolism, created against the background of romanticism which was so characteristic of his time.

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Kneeling Girl in Orange-Red Dress Art Nouveau By Egon Schiele
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Knight with Sword from Beethoven Frieze by Gustav Klimt
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Fulfillment Lovers Embracing Statue by Gustav Klimt Large
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Three Ages of Women Large Statue by Klimt
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Poetry Woman Holding Harp from Beethoven Frieze by Gustav Klimt
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Mother and Child Statue from Three Ages Of Woman by Gustav Klimt
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Music Woman with Lyre Glass Paperweight by Klimt
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Emilie Floge Portrait (1902) by Gustav Klimt
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Gertie Schiele in Checkered Cloth by Egon Schiele
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Klimt The Kiss Museum Bell Alarm Clock
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The Fulfillment (1905) by Gustav Klimt
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Expectation (1905-09) by Gustav Klimt
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The Virgin Die Jungfrau Pocket Mirror by Klimt
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Klimt Expectation Ceramic Vase Small
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Klimt Paintings Glass Coasters Set of 4 with Storage Stand
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Hope II Woman Expecting Child by Gustav Klimt
KL32, In Stock

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Klimt The Kiss Ceramic Tealight Candleholder
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Monet Waterlilies Ceramic Vase
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Egon Schiele (1890-1918) The artist and painter who, during his short life, developed from a Jugendstil artist into an exponent of Viennese expressionism. Because nearly his entire family worked for the Austrian railways, Egon Schiele was expected to do the same. Instead, this self-willed young man signed up for the Viennese art academy. He admired Sezession and in particular Gustav Klimt whom he had met in 1907 and who took him under his wing. In Schiele's early work his liking for Eastern-Asian art can be recognized immediately, and it links up perfectly with the illustrative, ornamental Viennese Jugendstil. Later on he developed a powerful angular style which was entirely his own, and which made him into the exponent of early Viennese expressionism. Much of his work consists of portraits, including many self portraits.